What do head arrangements have to do with Count Basie?
Table of Contents
What do head arrangements have to do with Count Basie?
The Basie organization specialized in arrangements that were fairly loosely organized and easy to customize on the spot, known informally as “head” arrangements. This allowed for a much more soloist-friendly environment than most of the other bands of the swing era.
What is Count Basie’s best song?
Top Count Basie Songs
- One O’Clock Jump. 2 1937 Pop. 1937.
- Jimmy’s Blues. 22 1945 R&B. 1945.
- Jumpin’ At The Woodside. 28 1938 Pop. 1938.
- Lester Leaps In. 33 1939 Pop. 1939.
- Open The Door, Richard! 7 1947 Pop. 9 1947 R&B.
- Red Bank Boogie. 42 1945 R&B. 1945.
- Rusty Dusty Blues. 43 1943 R&B. 1943.
- April in Paris. 46 1955 Pop. 84 1956 R&B.
What style of jazz is one o’clock jump?
“One O’Clock Jump” is a jazz standard, a 12-bar blues instrumental, written by Count Basie in 1937.
What genre is Count Basie?
JazzCount Basie / Genre
What style of jazz did Count Basie primarily play?
Jazz swing big band
Count Basie | |
---|---|
Genres | Jazz swing big band piano blues |
Occupation(s) | Musician bandleader composer |
Instruments | Piano organ |
Years active | 1924–1984 |
Why was Basie’s rhythm section so important and innovative?
Basie’s rhythm section has often been described as the best in jazz history. It was certainly the most cohesive of its time and has reached proverbial fame. Starting with Basie’s presence in the Moten band, it came into being over the years when, first, Walter Page’s bass gave real swing to the band.
What style of jazz came after the rebirth of swing?
Bebop (or “bop”) is a type of small-band modern jazz music originating in the early 1940s. Bebop has roots in swing music and involves fast tempos, adventurous improvisation, complex harmonies and chord progressions, and a focus on individual virtuosity.
What is Duke Ellington’s most famous song?
Caravan. Caravan is of Duke Ellington’s most famous songs, and a classic example of the “Spanish tinge” in jazz.
What form is King Porter Stomp?
Throughout the ’30s and into the war years, big band versions of “King Porter Stomp” came to define the new propulsive, streamlined style called swing. The tune was performed by black bands and white bands alike, from Cab Calloway and Count Basie to Glenn Miller and Tommy Dorsey.
How do you write 7 o clock?
For hours 0 through 12, we call this “A.M.”. So for hour 7 (in the morning), we say “It’s seven A.M.” (7:00 A.M.). For hours 12 to 24, we call this “P.M.”. So for example, at hour 14, we say “It’s two P.M.” Again, there are cultural differences that might make “A.M.” and “P.M.” a little confusing.
What was the instrumentation of the Count Basie Orchestra?
This nine-piece group was known for its legendary soloists including, Joe Keyes and Oran ‘Hot Lips’ Page on trumpet, Buster Smith and Earle Warren on alto saxophone, Lester Young on tenor saxophone, Dan Minor on trombone, and a rhythm section made up of Jo Jones on drums, Walter Page on bass and Basie on piano.
Why is Count Basie called Count?
One night, while the band was broadcasting on a shortwave radio station in Kansas City, he was dubbed “Count” Basie by a radio announcer who wanted to indicate his standing in a class with aristocrats of jazz such as Duke Ellington.
What is Jungle style jazz?
The unique sound of the subset of Duke Ellington’s music that came to be known as “jungle style” predates the extra-musical associations of exotic, primitive Africa and Africans that were tied to it once Ellington began working at Harlem’s Cotton Club in the late 1920s.
What is the form of Blue Lou?
“Blue Lou” is a 1933 jazz standard. It was written by Edgar Sampson and copyrighted in 1935 with the help of the publishing company of Irving Mills. The first recording was made by Benny Carter and his Orchestra on October 16. 1933.
Who is the arranger of Blue Lou?
Chick Webb’s 1934 recording of “Blue Lou” (Spinnin’ the Webb) is an infectiously swinging performance and features composer Edgar Sampson’s own arrangement.