Is Portra 400 or 800 better?
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Is Portra 400 or 800 better?
Given that Portra 800 is so expensive, if you’re equally a fan of both, I would opt for Portra 400 for the savings. That said, if you tend to shoot Portra 400 metered at 200, you might prefer having the extra stop of light shooting Portra 800 at 400.
Which Portra is best?
Best Uses: Kodak Portra 400 is often considered the most standard of the films. It’s not a bad idea to shoot it at ISO 200 and develop it at ISO 320. You can use it in pretty much any situation as long as you’ve got great lenses that let in a lot of light.
What is the difference between 400 and 800 film?
A Guide to ISO You’ll find this number on the side of any type of film and common ISO numbers include 100, 200, 400 and 800. The lower the number means the lower the ‘speed’ of the film. A low-speed film will be much less sensitive to light and produce a much finer picture.
What Portra 800 good for?
Portra 800 is very similar to Portra 400 but with more noticeable grain and slightly more contrast. It has warm tones, very good exposure latitude, and while its grain is more noticeable it’s still very pleasant looking. Its higher iso makes it ideal for lower light shooting.
Is Portra 800 good for night?
Portra 800 is definitely superior in capturing the scene. If I didn’t like the film image of the storm so much, I would simply reaffirm my conclusion that digital beats film hands down at night, but I will continue to work at improving my nighttime film images, using Portra 800.
Which Kodak Portra is best?
The 7 Best Kodak Film Stocks 2020: A Hands On Review
- Kodak Professional Portra 160 – The Versatile Light Range.
- Kodak Professional Portra 400 – The One With Perfect Skin Tones.
- Kodak Professional Portra 800 – The Low Light Compatible.
- Kodak Professional Tri-X 400 – The Black and White Details.
Is Portra 800 discontinued?
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we’re pleased to report, are simply untrue. That’s a good thing, because Portra 800 is capable of producing lovely results in all sorts of lighting conditions and even holds up well to being under or overexposed.
When should I shoot my Portra 800?
Getting to know Portra 800
- While Portra 800 can be shot in bright lighting conditions with success, it isn’t where the film shines.
- Portra is a good choice in trickly or changing lighting conditions.
- Portra 800 works well in open shadow or on overcast days.
Why is Portra 400 so popular?
It’s easily one of the most versatile and forgiving films and on top of that, it produces beautiful results. 400 iso is a great in-between – it’s great for our outdoor shooting as well as shooting in lower light and for being a 400 iso film it has a very fine grain that’s barely noticeable when exposed properly.
Is Portra 400 discontinued?
The Exciting Return of Fujifilm PRO 400H as Rebranded Kodak Portra 400. It seems that so many photographers have wanted it, and Fujifilm listened! Today, Fujifilm is announcing the return of Fujifilm PRO 400H. Back in January 2021, Fujifilm discontinued the film.
How many shots are in a Portra 800?
Kodak Professional Portra 800 Color Negative Film (35mm Roll Film, 36 Exposures) Kodak’s Professional Portra 800 is a high-speed daylight-balanced color negative film optimized for use in difficult lighting conditions.
Is Portra 400 the best film?
Portra 400 is one of the most popular color negative films there is—and for good reason. It’s easily one of the most versatile and forgiving films and on top of that, it produces beautiful results.
What ISO should I use with Portra 400?
200
One of the most popular uses of this film is the overexposing process, in general by setting the camera ISO at 200 instead of 400. After a lot of thought about whether I should experiment with it or getting to know it first, I asked myself why I should chose anyway and decided to try both options.
Why was Fuji 400H discontinued?
The manufacturer surprised photographers around the world with its announcement, as this was one of the best selling films in their lineup, and the only professional-grade color negative film. Fuji’s reason for discontinuing the film was because of rising materials costs for the film’s fourth layer.
